Թեմա - Hyperbole

Տեսակ - Ռեֆերատ

Գին - 2500 դրամ

Առարկա - Անգլերեն լեզվով

Էջեր - 10

Բովանդակություն
Introduction
1. Notion of hyperbole
2. Functions of hyperboles in language and everyday life.
3. Hyperbole as a stylistic devise
4. Hyperboles in a fairytale
Conclusion

Գրականության ցանկ
1. Attardo, Salvatore. 1994. Linguistic Theories of Humor. Berlin and New York: Mouton de Gruyter.
2. Chomsky, Noam (1972). Syntactic Structures, The Hague, Mouton.
3. Kukharenko V. A. “A book of Practice in Stylistics”, M., 1986
4. Rowse, A.L. (1975) Jonathan Swift: Major Prophet London: Thames and Hudson
5. Skrebnev Y.V. “English Style: Paradigmatic and Syntagmatic Approaches” M.,2001
6. Soshalskaya E.G. , Prokhorova V.I. Stylistic Analysis. Moscow: High School, 1976

Հատված

Hyperbole is a stylistic device and literary technique in which a certain piece of information, feeling, or other statement is exaggerated intentionally for a certain effect. In most cases, the literal interpretation of a hyperbole could not actually be true, but the exaggeration serves to emphasize a certain point. The statement "I have a million things that I have to do today," for example, is a hyperbole — it means that the speaker has many things to do, but it is unlikely that anyone actually needs to do a million tasks in one day. Hyperbole can also be used in literature sarcastically or for the sake of humor, though it is most commonly used for emphasis.
Hyperbole is a literary technique in which the words that are used become the main subject of the work, primarily for the purpose of intended effect or amusement. Phonetic mix-ups such as spoonerisms, obscure words and meanings, clever rhetorical excursions, oddly formed sentences, and telling character names are common examples of hyperbole. Hyperbole is quite common in oral cultures as a method of reinforcing meaning.
Hyperbole is the general name for the various textual phenomena in which structural features of the language(s) used are exploited in order to bring about a communicatively significant confrontation of two (or more) linguistic structures with more or less similar forms and more or less different meanings. Hyperbole is a textual phenomenon. This refers to the fact that language is full of “potential ambiguities and associations” that in normal situations of language use are not regarded as such: the ambiguity and associative power of hyperbole has to be evoked by the surrounding textual environment (context).
Hyperbole is "the interplay of one or more elements of language that achieves a linguistic special effect beyond ordinary communication" or, in brief, verbal wit. Hyperbole, like language itself, is complex it can take many forms. Hyperbole obviously functions within a context and contexts that are verbal or situational. When the context is verbal, hyperbole is expected to be grammatically and syntactically well-formed. On the other hand, in situational contexts hyperbole functions usually in
Hyperbole is a device which sharpens the readers ability to make a logical assessment of the utterance. This is achieved, as is the case with other devices, by awakening the dichotomy of thought and feeling where thought takes the upper hand though not to the detriment of feeling. The function of hyperbole is not always to amuse, however, in addition to producing humor, possible functions of hyperbole include “adding to the thematic coherence of the text, forcing the reader/listener into greater attention, adding persuasive force to the statement, deceiving our socially conditioned reflex against sexual and other taboo themes, and so forth”. In addition to its function as benevolent humour, hyperbole may also convey biting parody, irony or subversiveness with a certain person or phenomenon becoming the laughing stock

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