Թեմա - Great Armenian Painters-Minas Avetisyan, Hakob Hakobyan, Hovhannes Aivazovsky

Տեսակ - Ռեֆերատ

Գին - 2500 դրամ

Առարկա - Անգլերեն լեզվով

Էջեր - 10

Բովանդակություն
Introduction
Great Armenian Painters
Minas Avetisyan
Hakob Hakobyan
Hovhannes Aivazovsky
Conclusion

Գրականության ցանկ
1. Igitian, G. (1975). "Minas Avetisian" Aurora Art Publishers.
2. Novouspensky, Nikolai, ed. (1989). Aivazovsky. Leningrad: Aurora Art Publishers.
3. Titizian, Maria. Meet Hakob Hakobyan: Repatriate, Patriot, Painter. Discovering New Forms of Expression in an Unfamiliar Time. The Armenian Reporter. February 20, 2009. Retrieved April 30, 2010.

Հատված

This research paper is about great Armenian painters. It consists of four parts: introduction, body, conclusion, references. Introduction aims at presenting the purpose and the main aspects of the topic in general. The biographies and works of great Armenian painters are presented in the main part of this paper. Conclusion sums up the results of the research. The list of books used for this research paper is presented in references.
Armenian art is the unique form of art developed over the last five millennia in which the Armenian people lived on the Armenian Highland. Armenian architecture and miniature painting have dominated Armenian art and have shown consistent development over the centuries
Minas Avetisyan belongs to those modern Armenian artists who prove, as did Saryan in his time, that one can be useful to ones people, expressing its hopes, in all sorts of ways, but with one absolute condition; in a language worthy of art. The main theme of his works was Armenian nature, the nature of Jajur, the religion, poor people, mountains, fields etc. In his paintings, Avetisyan uses bright and unmixed colors that are juxtaposed with each other to form bold shapes that are clearly defined. A very popular person in Armenia and Soviet Union, Minas was an art dissident who used national elements in his painting style.
Hakob Hakobyan, also spelled Hagop Hagopian was a modern Armenian painter. Born in Alexandria, Egypt, in 1923 to Armenian refugees from Aintab, the young Hakobyan was shielded from the horrors that his parents and grandparents experienced during the genocide. He was sent to study at the Melkonian Educational Institute in Cyprus, and later the Cairo High School of Fine Arts, followed by the Académie de la Grande Chaumière in Paris. He participated in international contests and festivals for young artists, receiving second place in the Fourth World Festival of Youth and Students (WFYS) in Bucharest, Hungary, in 1953.
Ivan Konstantinovich Aivazovsky (Born July 29, 1817 – Died May 5,1900), also known as Haivazovskiy, was a Russian painter of Armenian descent, most famous for his seascapes, which constitute more than half of his paintings. He gained international fame at the age of 25, was elected a member to five European Academies and was awarded the medal of the French Legion of Honor. Delacroix referred to him in reverence and Turner called him a genius.
Historically, Armenian art has been associated with architecture, bas-reliefs, stone engravings, steles, illuminated manuscripts, and tapestry. Since the Armenian Renaissance during the nineteenth century, interest in drawing, painting, sculpture, textiles, pottery, needlework, and lace has intensified. During the Soviet period, graphic arts were particularly encouraged. A new Armenian style of bright colors emerged in painting. An interest in landscape painting, rustic images, a focus on rural life, and ethnographic genre paintings were noticeable in Soviet Armenia. A national art gallery houses the works of Sarian, M. Avedissian, Hagopian, Soureniantz, and other artists of the Soviet epoch. In the current republic, there are outdoor exhibits of newly emerging painters, and new private initiatives are being made.

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