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1. E. Hemingway’s philosophy of life
2. E. Hemingway’s works and their peculiarities
Chapter II. Hemingways writing style and language
1. Iceberg theory and its peculiarities in Hemingway’s works
2. “Code hero” and its features in E. Hemingway’s novels
The Symbolism in Hemingway’s works and their translation
Conclusion
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3. Berman, Ron. “Recurrence in Hemingway and Cezanne.” The Hemingway Review 23.2 (Spring 2004)
4. Carlos Baker, ed., Ernest Hemingway: Critiques of Four Major Novels, Scribner’s, 1962
5. Carlos Baker, Ernest Hemingway A Life Story ( New York: Scribners, 1969)
6. Comley, Nancy R., and Robert E. Scholes. Hemingway’s Genders: Rereading the Hemingway Text. New Haven: Yale University Press, 1994
7. Gerry Brenner and Earl Rovit, “The Structure of the Fiction,” in Ernest Hemingway, Revised Edition, Twayne, 1986
8. Hagemann, Meyly Chin. “Hemingway’s Secret: Visual to Verbal Art.” Journal of Literature 7.1 (1979)
9. Harry Levin, “Observations on the Style of Ernest Hemingway,” in Hemingway: A Collection of Critical Essays, edited by Robert P. Weeks, Prentice-Hall, 1962.
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14. Kenneth Graham, Commentary in York notes: The Old Man and the Sea ( Beijing: World Publishing Corporation, 1991)
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16. Leon Edel, The Art of Evasion in Hemingway, A Collection of Critical Essays, ed. Robert P. Weeks (Englewood Cliffs, NJ: Prentice Hall, 1962)
17. Lester, Jennifer. “Reading For Whom the Bells Tolls with Barthes, Bakhtin, and Shapiro.” The Hemingway Review 26.2 (Spring 2007)
18. Meyers, Jeffrey. Hemingway: A Biography. New York: Harper and Row, 1985
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21. Reynolds, Michael. Hemingway: The Paris Years. New York: Norton paperback, 1999
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